This movie grips you so tightly, emotionally, that you can easily ignore the logical anomilies (conspiratorial leaf oilers; a woman who can jump into the bay, keep her shoes on, AND feign unconciousness while her rescuer hauls her about and undresses her, etc etc etc). Hitchcock’s, Hermann’s and Stewart’s artistry reign supreme here. Not “the best movie ever” but my favorite for the fifty plus years since I was captivated by the spinning spirals!